内容摘要：“We understand each other. That’s our language. I have 16 directors in the middle of the section, in the core. I raise my hand, give a signal that will be repeated through them all. And the rhythmist understands,” Mestre Dudu said.

“We understand each other. That’s our language. I have 16 directors in the middle of the section, in the core. I raise my hand, give a signal that will be repeated through them all. And the rhythmist understands,” Mestre Dudu said.

But it’s also part of a cultural shift toward greater sustainability among social clubs and parade-goers during Mardi Gras, according to Kevin Ferguson, vice president of external affairs for New Orleans & Company, a nonprofit dedicated to boosting the city’s tourism: “What we’re building is more of a movement than an individual project.”A positive sign, he says, is that “throws” — the

that float riders toss to spectators — are evolving to feature more items that people want and are likely to keep.“That’s just not happening with beads anymore. No one’s picking that up off the ground,” Ferguson said. “I think you’re seeing riders are buying less of that and more of other things.”Associated Press reporter Stephen Smith contributed to this report.

PARIS (AP) — In all sports, there are advantages to being at home. At thetennis tournament, being a visitor playing against a French player can feel as though the whole world is against you.

The crowds don’t just cheer.

, they whistle, they make noise between serves, they hurl insults — and, at least once, even gum — at the locals’ opponents. That sort of behavior is why the tournament organizersOver the years, the Grammy winner has demonstrated that she is unequivocally a pop star. She’s also a dedicated student of contemporary music history and various genres, something she’s made clear through her love of performing cover songs and across her diverse discography (lest anyone forget her 2020 glam rock-inspired concept album,

On “Something Beautiful,” Cyrus proves that she is most in her element musically when firmly holding onto those myriad identities, weaving together an inventive tapestry of pop, rock, electronic, disco and even funk — like in the album’s soulful, heartache anthem, “Easy Lover.”Most of Cyrus’ album comprises

earworms; “End of the World” has a piano riff that screams “Dancing Queen.” But she balances ’70s nostalgia with belting vocals and wide-ranging instrumentation throughout. Cyrus arguably hasn’t had this kind of sonic variation on a record since 2010’s “Can’t Be Tamed.”“Something Beautiful” is accompanied by a musical film of the same name, which will premiere in June at